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CIENT. PAINTINGS 


MADISON SQUARE SOUTH © 
NEW YORK 


ON Ion PUBLIC: VIEW 


AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


Seon NING FRIDAY, APRIL 1st, 1921 


AND CONTINUING UNTIL THE DATE OF $ALE 
| 


THE UNUSUALLY INTERESTING COLLECTION 
OF 


ANCIENT ART PROPERTY 


BELONGING TO 


SENOR LAUREANO MEDINA 


OF SPAIN 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


ON TUESDAY EVENING, APRIL 5tu 


BEGINNING AT 8.15 O’?CLOCK 


merit AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


ore 


¢q 


ILLUSTRATED CATALOGUE 
OF 
SPANISH, GOTHIC, ITALIAN AND FLEMISH 
AND OTHER 


mNCIENT PAINTINGS 


RARE SCULPTURES IN WOOD AND IVORY, RENAISSANCE 
SILVER SHRINE, FURNITURE, ANTIQUE 
WATCHES, FANS AND LACES 


ALPUJARKRRA CARPETS, CLASSIC AUBUSSON TAPESTRY 


AND OTHER UNUSUALLY INTERESTING 
OBJECTS OF ART AND ANTIQUITY 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
BY DIRECTION OF 


SENOR LAUREANO MEDINA 


OF SPAIN 


Peete eh V ENING HEREIN STATED 


THE SALE TO BE CONDUCTED BY 
MR. THOMAS E. KIRBY 


AND HIS ASSISTANTS, Mr. Orro Bernet AND Mr. H. H. PARKE, OF THE 


AMERICAN ART ASSOCIATION, MAnaGeErRs 
NEW YORK CITY 
1921 


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LL DETAILS 


A 


TEXT AND 


THE LAUREANO MEDINA COLLECTION 


There has seldom been offered at public sale a collection, 
mainly of Spanish origin and consisting of less than one hundred 
and ten items, in which there are so many worth-while art objects 
from the collector’s or decorator’s point of view. This manifold 
interest is undoubtedly accounted for by the important sources 
from which these objects were derived; among others, the Marquis 
de Corvera of Murcia, Rojas de Aceves of Seville, Don José de 
Sotomayor y Ortega of Madrid, the Marquis Delgado de Villa- 
longa of Palma (Majorca), the Alhambra (Granada), the well- 
known connoisseur Don Ricardo Llombart of Barcelona, the 
ancient Sabatier Family, EKusebia Belbell of Alcala la Real, Robert 
Duchesnois of Paris, Ortufio y Acuna of Burgos, many churches 
and several cathedrals. 

The Sculptures in wood or ivory, for which Spain is noted, 
include a St. Jerome by Alonzo Berruguette (1480-1561) ; it is 
seriously modeled and in its strength has a very positive reminis- 
cence of Michael, Angelo. The earlier Gothic statuettes are all of 
naive interest and intensely devotional in conception; a Madonna 
and Child in walnut, very simple in its technique, is full of tender 
dignity. Among the Ivories is a small fourteenth century Diptych 
of French origin, full of dramatic vigor. Two unusually elaborate 
and well-conceived Solomonic Columns would have delighted the 
eye of the late Stanford White with their richness and com- 
plexity of detail. 

The decorative Early Furniture includes several Varguefios, 
Ebony Cabinets finely adorned with painted panels that are rich 
in color, a unique Walnut Table with very unusual open supports 
and in excellent condition and a small Painted Leather Hispano- 
Moresque Box of the fifteenth century that would grace any 
museum as a reference document. 

Two Panels of tiles by the modern Spanish master, Juan 
Zuloaga, are painted with much breadth and portray interesting 
subjects. 

A massive Silver Shrine and a Processional Cross of the early 
Renaissance are fine examples of the Spanish Silversmith’s Art; 
a number of Brass Votive Lamps, of a slightly later period, have 
especial decorative value. 


The Watches, Fans, Brocades, Filet Laces and Embroid- 
eries are of more than casual interest. 

Two Early Alpujarra Carpets are as interesting as they 
are unusual. 

There is a charming seventeenth century Aubusson Tapestry, 
with original floral border; the subject, “Jove Issuing Commands 
to Mercury,” is woven in rich, soft agreeable colors. 

Many decorative Spanish Paintings of the sixteenth, seven- 
teenth and eighteenth centuries have fine color schemes and include 
Flower subjects by Arellano, and Architectural and Classic Land- 
scapes. A Triptych by Adrian Isenbrandt and a strongly handled 
example by Quentin Matsys, ‘The Misers,” a variant of the same 
subject in the Pinacoteca at Bologna, worthily represent the 
sixteenth century Flemish School. 

The Gothic Primitives include two important examples by 
the Catalonian, Vergos, and an important Series of Sanctuary 
Panels and two Doors by Borrassa (1390-1434) which formed 
the remarkable setting for an Altar in the Church of San Juan, 
Segovia; these panels rival in devotional and decorative quality 
that most remarkable Altarpiece bequeathed to the Metropolitan 
Museum by the late Mr. Laffan. The rich, flaming colors and 
gold backgrounds, and the distinction of the costumes, give a rare 
place to these panels. Their history is interesting, for during 
the eighteenth century they were removed from sifu and aban- 
doned behind the organ, remaining concealed there till 1886, when 
they were acquired by the Marquis Delgado de Villalonga of 


Palma (Majorca) for his private collection. 


The attributions in the catalogue are those of the owner of 
the collection, whose standing as a connoisseur and expert makes 
it plausible that they should be accepted. 


CONDITIONS OF SALE 


1. Any bid which is merely a nominal or fractional advance 
may be rejected by the auctioneer, if, in his judgment, such bid 
would be likely to affect the sale injuriously. 

2. The highest bidder shall be the buyer, and if any dispute 
arise between two or more bidders, the auctioneer shall either de- 


cide the same or put up for re-sale the lot so in dispute. 


3. Payment shall be made of all or such part of the pur- 
chase money as may be required, and the names and addresses of 
the purchasers shall be given immediately on the sale of every lot, 
in default of which the lot so purchased shall be immediately put 
up again and re-sold. 

Payment of that part of the purchase money not made at 
the time of sale shall be made within ten days thereafter, in de- 
fault of which the undersigned may either continue to hold the 
lots at the risk of the purchaser and take such action as may be 
necessary for the enforcement of the sale, or may at public or 
private sale, and without other than this notice, re-sell the lots 
for the benefit of such purchaser, and the deficiency (if any) aris- 
ing from such re-sale shall be a charge against such purchaser. 

4. Delivery of any purchase will be made only upon pay- 
ment of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 
9 A. M. and 1 P. M., and on other days—except holidays— 
between the hours of 9 A. M. and 5 P. M. 

Delivery of any purchase will be made only at the American 
Art Galleries, or other place of sale, as the case may be, and only 
on presenting the bill of purchase. 

Delivery may be made, at the discretion of the Association, 


of any purchase during the session of the sale at which it was sold. 


5. Shipping, boxing or wrapping of purchases is a business 
in which the Association is in no wise engaged, and will not be 
performed by the Association for purchasers. - The Association 
will, however, afford to purchasers every facility for employing 
at current and reasonable rates carriers and packers; doing so, 
however, without any assumption of responsibility on its part 
for the acts and charges of the parties engaged for such service. 

6. Storage of any purchase shall be at the sole risk of the 
purchaser. Title passes upon the fall of the auctioneer’s hammer, 
and thereafter, while the Association will exercise due caution in 
caring for and delivering such purchase, it will not hold itself 
responsible if such purchase be lost, stolen, damaged or destroyed. 

Storage charges will be made upon all purchases not removed 


within ten days from the date of the sale thereof. 


7. Guarantee is not made either by the owner or the Asso- 
ciation of the correctness of the description, genuineness or au- 
thenticity of any lot, and no sale will be set aside on account of 
any incorrectness, error of cataloguing, or any imperfection not 
noted. Every lot is on public exhibition one or more days prior 
to its sale, after which it is sold “fas is” and without recourse. 

The Association exercises great care to catalogue every lot 
correctly, and will give consideration to the opinion of any trust- 
worthy expert to the effect that any lot has been incorrectly cata- 
logued, and, in its judgment, may either sell the lot as catalogued 
or make mention of the opinion of such expert, who thereby would 
become responsible for such damage as might result were his 


opinion without proper foundation. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South. 


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EVENING SALE 


TUESDAY, APRIL 5, 1921 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 8.15 o’cLOCK 


Catalogue Numbers 1 to 109, inclusive 


MISCELLANEOUS OBJECTS 


1—Roven Pin Tray Eighteenth Century 


Circular with gauffered ribbon edge. Decorated in blue 


_ with cottages in landscape. 
Diameter, 314 inches 


2—Ginori PorcELaIn Pastitte Box 
Italian, Louis Philippe Period 
Ovoidal; enriched with gilded scrolled floral borders and 
coronetted monogram “M V” on bleu-royale grounds. 


Underglaze mark, “Ginori.” 
Length, 21%, inches. 


3—Two Canton Enamet Cups anp Saucers | 
Chinese Ch’ien-lung Period 
Square-sectioned cups and saucers with inset round corners. 
Decorated with black cloud scroll arabesques on delicate 


sky-blue grounds. 


4—Sinver Incense Burner Spanish Seventeenth Century 


Low molded bowl with turned balustered ebony handles at 
either side. On leaf and hoof tripod legs and incurved tri- 
angular base with ball feet. One handle defective. 


Height, 3 inches; length, 1014 inches. 


Evening Sale 


SNUFFBOXES, WATCHES AND FANS 


5—LoweEstorr SNUFFBOX English Eighteenth Century 


Broad shield-shape, enriched with floral panels and coro- 


netted coat-of-arms. (Cover repaired.) 
Length, 2%, inches. 


6—-BarrerseA Enamet Box English Eighteenth Century 
Egg-shaped; enriched on ivory ground with “Landscape 
with Mounted Warriors in Combat,” the cover with curious 

landscape around the rim with a group of figures. 
Height, 2°, inches. 


From the celebrated Collection Robert Duchesnois, Paris. 


Y—JEWELED ENAMEL CHATELAINE 
French Eighteenth Century 
Three oval enamel miniatures; evidently portraits of three 
distinguished sisters ; within silvered settings closely studded 
with rose diamonds, the upper also having an open wreath 
of blossoms. 


From the celebrated Collection Robert Duchesnois, Paris. 


8—JEWELED AND ENAMELED Gotp WarTcH 
Directotre Period 
Bezel closely set with chip diamonds; two-colored gold back 
with medallioned blue center overlaid with open setting of 
draped coronet and ribbon closely set with chipped stones. 
Movement by Breguet a4 Paris. 


From the celebrated Collection Robert Duchesnois, Paris. 


9—JEWELED Enamet WatcH Directoire Period 
Face and back enriched with annular rims of chip diamonds ; 
the back with scene, “The Lovers,” a huntsman and a maid 
at a splashing fountain. Verge movement by Chevalier, 
Geneva. Several small stones missing. 


From the celebrated Collection Robert Duchesnois, Paris. 


Evening Sale 


10—JrEWELED ENAMELED Gotp WartcH Louis XVI 


Bezel enriched with closely set chip diamonds. 'T'wo-toned 
gold back with bars of laurels and central enameled oval 
miniature, “Bust of a Court Belle,” within a beribboned sil- 
ver frame studded with chip stones. Movement by Vauchez 
a Paris. Winding key for same. 


From the celebrated Collection Robert Duchesnois, Paris. 


11—Decoratep Carvep Ivory Fan 
French Eighteenth Century 


Ivory guards and blades, pierced, gilded and painted with 
pastoral medallion flanked by floral sprays and fruit. Parch- 
ment foil with idyllic landscape occupied by three classic 
warriors attendant on three court belles attired as shep- 
herdesses. 


From the collection of Mlle. Henriette de Logerot, Paris. 


12—Decoratrep Carvep Ivory Fan 
French Eighteenth Century 
Finely gilded ivory blades and guards pierced with medal- 
lioned trophies, scrollings and figures. Tan silk foil with 
gold pailletted medallions displaying “Mars and Venus” 
and landscapes. 


From the collection of Mlle. Henriette de Logerot, Paris. 


Evening Sale 


DecoraTED CARVED Ivory Fan 
French Eighteenth Century 


13 


Ivory guards and blades, pierced and gilded with floral 
sprays. Parchment foil painted with pastoral figures in 
landscape, after Watteau. 


From the collection of Mlle. Henriette de Logerot, Paris. 


14—Decoratep Carvep Ivory Fan 

French Eighteenth Century 
Ivory guards and blades, pierced and gilded with unusually 
fine scrolled medallions of figures, flowers and scrolls, these 
interrupted with panels painted with groups of pastoral 
subjects. Parchment foil painted with subject, “Jove and 
Juno,” Juno driven amidst the clouds in her chariot drawn 
by peacocks, attendant nymphs at left, Jove pointing to 
the earth at right. 


From the collection of Mlle. Henriette de Logerot, Paris. 


15—Decoratep Carvep Ivory Fan 
French Eighteenth Century 


Ivory guards and blades enriched in low relief with scrolled 
medallions of pastoral scenes. Foil painted with “Historical 


Group before an Edifice.” (Has been restored.) 
From the collection of Mlle. Henriette de Logerot, Paris. 


16—InuustRaTED BIBLE French Eighteenth Century 
Bound in tooled brown calf; containing one hundred and 
nineteen engravings by Jollain and F. Campion, illustrat- 
ing incidents from the Old and New Testaments. Binding 

and several pages defective. 
Height, 634 inches; length, 9 inches. 
Note: Inscribed: “a Mademoiselle Thérése de la Vigne Dompiere. 


Donné par ma Tante Villiroyt a Thérése.” 


From the celebrated Collection Robert Duchesnois, Paris. 


Evening Sale 


17—Vernis Martin Corrrer French Eighteenth Century 
Oblong, with domed cover; decorated in rich colors with 
biblical scenes of many personages, the interior of cover 
with romantic landscape. Silver dragon escutcheon and 
key. Height, 3%, inches; length, 7% inches. 


From the collection of Mlle. Henriette de Logerot, Paris. 


18—Ewneravep Ivory Worxsox Spanish Eighteenth Century 
Square sarcophagus shape, with scrolled ends and incurved 
top; enriched with top member of flutings and three se- 

ries of engraved scrolled leaf bands on black grounds. 
Trimmed with lion-head ring handles and ball-and-claw feet. 
Interior of cover fitted with mirror, the case with many 
ivory-covered compartments. (Needs slight restoration.) 
Height, 8% inches; length, 10%% inches. 


19—Two Scurtprurep Ivory Bas-reviers 
Spanish Sixteenth Century 
In the form of a globular bivalve shell. Incavo-cut with 
subjects, “The Adoration of the Magi’ and “The Adora- 
tion of the Virgin.” Suavity and simplicity of technique 
give a great charm to the modeling. 


Diameter, 234 inches. 


From the celebrated Collection Robert Duchesnois, Paris. 


ScuLprureD Ivory STaruETTE Spanish Gothic 
The Madonna and Child. Standing figure wearing long 
brown hair curling over shoulders, close-fitting robes and 
amply draped mantle trimmed with gold embroidery; she 
carries the infant Saviour on her left arm. Molded octa- 
goidal base with gilded cupid-head enrichment. Strongly 
modeled with great dignity of pose. Rich patina. 

Height, 11 inches. 


20 


From the collection of the Marquise de Blancohermoso, Mar- 
tos (Jaen), Spain. 


Evening Sale 


21—ScuupTureD Ivory Ficurine Spanish Gothic 


Madonna and Child. Holding the infant Saviour to her 
left breast, she wears snooded hair and closely fitting robe 
with draped mantle edged with embroidery and stands on an 
orb enriched with cherub’s head; ribbed oval base. Rich 


amber patina. 
Height, 614 inches. 


Evening Sale 


22—ScuLPTuRED Ivory FicurineE Spanish Gothic 


Madonna and Child. Standing, wearing ample robe, mantle 
draped over shoulder and high, open pear-shaped crown ; 
she holds the Saviour on her left arm. Rich, light amber 
patina. (Arm of Virgin and of Saviour missing.) 


Height, 714 inches. 


Evening Sale 


23—Gornic Ivory DirrycH French Fourteenth Century 


The leaves, each divided into two panels finely arched with 
trifoliate crocketed arches, canopying scenes, “The Birth 
of Christ,” ‘*The Adoration of the Magi,” “The Cruci- 
fixion” and ‘*The Ascension.” ‘The background has been 
tinted blue in portions. ‘The modeling is large and full 
of dramatic vigor. Varied rich patina. 3 


Height, 6% inches; total width, 734 inches. 
From the celebrated Collection Robert Duchesnois, Paris. 


(Illustrated ) 


. 


(hunjuay ypuaazinoy Yyouasy ) 


HOALdI(] AYOAT OIH.LOX)N—8G “ON 


Evening Sale 


24—PotycHRoME ALABASTER Bas-RELIEF AND FRAME 
Spanish Sixteenth Century 
“The Meeting of St. Anne and the Virgin.” Standing in 
conversation in the foreground, wearing gilded red and blue 
robes, before an architectural background. 'Tabernacolo 
frame enriched in colors and gilding with bracketed pilasters 

and recessed side columns. (Bas-relief cracked.) 


Height, 20 inches; length, 21 inches. 


From the ancient Cathedral of Cadiz, Spain. 


25—CarveD Ivory Box Louis XVI Period 


Oval; with leaf-molded cover enriched in low relief with 
two nymphs holding a silver shield; body with groups of 
cupids, allegorical of “Painting and Music.” On claw 


feet. (Top cracked at back.) 
Length, 63% inches. 


26—JEWELED GILDED-sILVER SArnt’s Crown 
Spanish Seventeenth Century 
Pierced double-C leaf scrolls, slightly engraved, are sup- 
ported on a band enriched with double wreaths of laurel 
leaves. ‘The band and C-scrolls are studded at intervals 
with large facetted colored stones. (One stone missing.) 


Height, 51%, inches; diameter, 7%, inches. 


From the ancient Church of Talavera de La Reina, Spain. 


27—Movuntep Rock CrystaL CruciFix 
Spanish Seventeenth Century 
Cross of fine clear crystal having beveled edges; mounted 
in silver with three floriations and at foot with a molded 


circular base to stand. 
Height, 6% inches. 


From the celebrated Collection Robert Duchesnois, Paris. 


Evening Sale 


28—MassivE SILVER SHRINE Spanish Sixteenth Century 
Open, Ionic columned shrine surmounted by a broken molded 
oblong cornice, with pinnacles at corners, and sustaining 
a small oval canopy with caryatid supports, occupied by a 
seated saintly bishop; the oval foot of shrine is carried on 
a vase-shaped baluster shaft and molded bell-shaped base; 
enriched with varied strap arabesques enclosing cherubs’ 


heads, festoons and clusters of fruit. 
Height, 20 inches. 


From the Cathedral of Palma de Mallorca, Spain. 


From the collection of the Marquis Delgado de Villalonga, 
Palma de Mallorca, Spain. 


Evening Sale 


29—Sitver ProcessionaLt Cross Spanish Sixteenth Century 
A finely rayed and floriated crucifix bearing the body of 
Our Lord, nude save a loin-cloth and crowned with thorns; 
_ the cross is sustained by an urn-shaped vase enriched with 
cherubs’ heads and three intervening cartouche and leaf- 
scrolled panels. Supported on a hollow shaft with Ionic 
capital. The figure of the Saviour has been gilded. A 
velvet-covered haft originally fitted into the shaft. 


Height, 42 inches. 


From an ancient church in Badajoz, Spain. 


(Illustrated ) 


No. 29—Sitver ProcessionaL Cross 


(Spanish Sixteenth Century) 


Evening Sale 


30—Decoratep LEATHER COFFER : 
Hispano-Moresque Late Fifteenth Century 
Oblong; covered with dark brown hide, bound with diamond 
bossed brass edging’; scroll-pierced iron lock plate. Over- 
hanging hinged top, disclosing a compartment with hinged 
cover; fall front, with interior fitted with one long, two 
short drawers and an upper false front. The interior of 
cover, false front and two only of the drawers, elaborately 
decorated in brilliant colors with center medallions of 
mounted and unmounted kingly figures, rosette and scroll 
borders; the fields with a medley of innumerable courtly 
knights on their chargers and attendants on foot chasing 
a plethora of game, deer, rabbits, leopards, wild boars and 
birds on a mille-fleurs ground. (Portions of brass banding 
missing. ) 
Height, 81% inches; length, 1714 inches. 


From the collection of Don Roberto Dupuy de Lome, lately 
Spanish diplomatist to the Central and South Americas. 


(Illustrated) 


80—DecoratTepD LEATHER COFFER 


No. 
(H 


ifteenth Century ) 


esque Late F 


Mor 


ws pano-] 


Evening Sale 


SCULPTURED WOOD STATUETTES 


31—GotHic ScuLtpTuRED WALNUT STATUETTE 

Spanish Fifteenth Century 
“Madonna and Child.” Standing figure wearing a Gothic 
leaf-crocketed crown over snooded hair, closely fitting belted 
robe and flowing festooned mantle. She bears the Infant 
‘ Saviour on her left arm. Robust, simple modeling. Oblong 

plinth. (Hand of the Saviour missing.) 
Height, 29 inches. 
From the collection of the Marquis Delgado de Villalonga, 

Palma de Mallorca, Spain. 


Evening Sale 


32—PoLycHROME ScuLprurED Woop STaTuETTE 
Spanish Gothic 
“Madonna and Child.” Crowned figure wearing belted 
closely fitting robes, her ample mantle falling around her 
and over the stool on which she is seated; she exhorts the 
Infant Saviour, who is on her lap. The sweet features 
of the Virgin and the nude Saviour are naturalistically 


painted ; the robes in blue and gold. 
Height, 191% inches. 


From the collection of the Marquis Delgado de Villalonga, 
Palma de Mallorca, Spain. 


Evening Sale 


33—ScuLtprureD WALNUT STATUETTE 

Spanish Sixteenth Century 

“A Bishop of Toledo.” Standing in exhortation; wear- 

ing a low, Gothic scroll-enriched mitre, a loose flowing cas- 

sock and a banded dalmatic peculiar to the period. Soft 
patina. 

Height, 271/, inches. 

From the collection of the Marquis Delgado de Ma Si 

Palma de Mallorca, Spain. 


34—ScuLpTurED WALNUT STATUETTE 
Spanish Siateenth Century 
“St. Jerome.” Seated with one limb crossed over the knee 
of the other, his hands clasped in the attitude of devo- 
tion, his bearded head uplifted to left. He wears broad, 
flowing, draped robes. Strongly modeled, showing the in- 


fluence of Michael Angelo. 
Height, 401/, inches. 


Note: This interesting figure has been attributed to Alonzo Ber- 
ruguete (1480-1561). Removed in 1830 from the Church of the Con- 
cepcion de Ubeda, Spain, then replaced by a new figure by Montanes. 


(Illustrated) 


35—PoLycHROME ScuLprurED Woop Pane 
Spanish Siateenth Century 
“The Adoration of the Magi.” The Holy Virgin is seated 
before St. Joseph at right, the three kings are toward left, 
one kneeling offering frankincense. Architectural back- 
ground with the “Star of the East” seen through an arched 
portal. The ample robes are plentifully enriched with gild- 

ing. Deeply molded frame of the period. 


Height, 31 inches; length, 361%, inches. 


From the Church of San Francisco, Martos (Jaen), Spain. 


No. 84—Scu.tprureD WaALNuT STATUETTE 


(Spanish Sixteenth Century ) 


Evening Sale 


36—PoLycHROME ScuLPTURED Woop STATUETTE 
Spanish Sixteenth Century 
“The Annunciation.” The Virgin kneels before a draped 
table on which is an open missal, her hand extended in sur- 
prise; she wears a mantle draping her curling hair and 
falling over the back of her ample robes. 
7 Height, 17 inches. 
From the collection of the Marquis Delgado de Villalonga, 

Palma de Mallorca, Spain. 


37—PoLYCHROME ScuULPTURED Woop STATUETTE 
Spanish Renaissance 
“St. John.” Standing figure exhorting the multitude; — 
wearing blue robes and an ample red mantle draped over 
right shoulder, both enriched in gilding with trailing sprays 
of embroidery. (One hand slightly imperfect, other miss- 
ing. ) 
Height, 544, inches. 
From the Church of El Rosarito, Seville, Spain. 


38—PoLycHROME ScuLPTuRED Woop STATUETTE 

Spanish Renaissance 
“Mater Dolorosa.” Standing figure agitated by grief; 
wearing close-fittng robes and mantle draped over head 
falling in ample festoons, richly decorated with embroidered 
gilded flowers on blue grounds; illuminated green lining and 

red robes. 
Height, 544, inches. 


From the Church of El Rosario, Seville, Spain. 


39—ScuLPTuRED WaLnuT STATUE Spanish Gothic 


“St. Mark.” Standing in a pensive mood, his right hand 
sustaining his chin, the other hand holding his draped 
mantle and a missal. Rich patina. Modeled with great 
simplicity and dignity, showing the influence of the Byzan- 
tine School. 

Height, 4 feet 11% inches. 
From the collection of the Marquis Delgado de Villalonga, 

Palma de Mallorca, Spain. 


Evening Sale 


SPANISH COPPER AND BRASS LAMPS 


40—CopreR BrasERo AND STAND 
Spanish Seventeenth Century 
Low circular dish with finely scrolled lifting bail-handles. 
Low molded octagonal stand studded with unusual appliqué 
copper open rosettes and _ stellate motives. On short 
balustered legs. 


Height, 6 inches; diameter, 34 inches. 


From the Eusebia Belbell Collection, Alcalé la Real, Spain. 


41—Brass Votive Hanerne Lamp 
Spanish Seventeenth Century 
Low circular molded bowl; with vase pendant terminating 
in a crimson silk tassel ; fleur-de-lis pierced cresting and four 
scrolled arms supporting open link chains to a bracketed 
canopy. (Cresting imperfect.) 


Height, 4 feet 3 inches; diameter, 18 inches. 


From the Church of La Merced, Alcala la Real, Spain. 


42—Brass VotivE Hancinc Lamp 
Spanish Seventeenth Century 


Low circular molded bowl; enriched with vase pendant, fleur- 
de-lis cresting, four interior and exterior scroll brackets 
sustaining fine open link chains to a high bracketed canopy 
with scroll-pierced rim. 


Height, 4 feet 8 inches; diameter, 2 feet 3 inches. 


From the Church of La Merced, Alcalé la Real, Spain. 


43—Brass Votive Hancine Lamp 
Spanish Seventeenth Century 
Low circular molded bowl, enriched with vase pendant, four 
open scrolled arms supporting exceptionally fine open link 
chains to a bracketed gadrooned canopy. 


Height, 4 feet 1 inch; diameter, 2 feet 1 inch. 


From the Church of La Merced, Alcala la Real, Spain. 


Evening Sale 


FILET LACE 


44—Fiter Lace Cover Spanish Seventeenth Century 
Rampant unicorns facing castles are interrupted by a 
jardiniére of flowers; border of blossomed angular scrolls. 
Finished with ivory linen at crown and fringe at foot. 


2 yards 16 inches by 24 inches. 


45—Fitet Lace CovER _ Spanish Seventeenth Century 
Three unicorns proceed to left of the field and are inter- 
rupted by quaint double-scrolled cornucopias; angular leaf- 
scroll borders. Trimmed with fringe at foot and ivory linen 
at crown. 21/3 yards by 261% inches. 


46—Fitet Lace Cover Spanish Seventeenth Century 
Displaying two mounted warriors bound for a tournament, 
two led horses, various small animals and floral motives; 
chevroned and angular scroll borders. a 


2 yards 8 inches by 26 inches. 


4°7—Fiter Lact Cover Spanish Seventeenth Century 
Displaying a diamond lattice enclosing alternate motives 
depicting outfacing birds standing on a jardiniere and 
roosters; blossoms occupy the half-diamonds; floral scroll 
borders. Trimmed with fringe. (Slight portion burned at 
right.) Band of ivory linen at crown. 


2 yards 6 inches by 28 inches. 


48—Fitet Lace Cover Spanish Seventeenth Century 
Displaying bouquets of lilies reversed within a broad angu- 
lar scrolling; scrolled ribbon border. Finished at crown 
with ivory linen and at foot with fringe. 


2 yards by 29 inches. 


49—Fitet Lace Cover Spanish Seventeenth Century 
Field displaying three unicorns proceeding to a series of 
small birds at right, the unicorns scrolled with trees and 
interrupted by elaborate vases of flowers; scrolled tulip 
border. Finished at crown with ivory linen and at foot with 


fringe. 2 yards 16 inches by 27 inches. 


Evening Sale 


TEXTILES 


50—GOoLD-EMBROIDERED VELVET LAMBREQUIN 
Spanish Seventeenth Century 
Four scrolled Vandyke points; each embroidered in crimson 
velvet appliqué to cloth-of-gold ground, displaying leaf and 
husk arabesque developing winged chimeric heads and shel] 
motive. Trimmed with gold fringe. 
Length, 21/3 yards; depth, 201/, inches. 


From an ancient church in Ubeda, Spain. 


51—Go.p-EMBROIDERED VELVET LAMBREQUIN 
Spanish Seventeenth Century 
Similar to the preceding, except that the cloth-of-gold is 
appliqué to velvet ground. Length, 21/3 yards; depth, 201/, inches. 


From an ancient church in Ubeda, Spain. 


52—GoOLD-EMBROIDERED PANEL Chinese K’ang-hsi Period 

Deep ivory silk; enriched in mellow harmonious silks and 

gold threads with flowering and fruiting trees; in one at 

right birds are nesting and a monkey is nearby. Peacocks 

and other gay-plumaged birds flit between the trees or are 
perched below them. (Has been restored.) 

22/3 yards by 34 inches. 


From the Church of Santa Maria, Toledo, Spain. 


538—Drap p’Arcent BrocapE Cover Lows XV Period 
Closely woven diapered bleu-de-ciel ground; woven in silver 
threads and brilliant colors with vases of beautiful flowers 
within conventional leaf and vine scrollings. Trimmed with 
silver galloon. 3 yards 4 inches by 1 yard 61% inches. 


54—EmproweErepD Sirk SHaAwt Manillan Eighteenth Century 
Delicate robin’s-egg-blue corded silk; enriched in ivory with 
floral medallions enclosing domestic Chinese scene with fig- 
ures ; the floral scrollings ramify the entire field and are ani- 
mated with birds. Finished with a deep latticed fringe. 


3 yards 6 inches square. 


Evening Sale 


TAPESTRY AND CARPETS 


55—AuvBusson TAPESTRY French Seventeenth Century | 
“Mercury Attends Imperial Jove.” ‘The noble god, attired -m 
in classic garb, stands in the uneven foreground addressing ql 
a command to fleet-footed Mercury, who appears at left 
hovering over a battlemented castle. Several warriors are 
seen on the battlements and portcullis of the castle. Woven 
in rich golden-yellows, tans, ivory and green with an excep- 
tionally fine range of blues dominating the yellows. Border 
of clustered varied rare blossoms in the colors of the field 
on tawny grounds. Inner guards of typical brown and yel- 
low bands; unusual outer guards of scrolled yellow trefoils ; 


finished with blue banding. 


Height, 10 feet 9 inches; width, 7 feet 5 inches. 


From the celebrated Collection Robert Duchesnois, Paris. 


(Illustrated) 


56—Buive Autpusarra Carper Spanish Eighteenth Century 


Close-piled deep sapphire-blue field ; woven semé with stellate 
motives in lighter blue. Broad border of other stellate 
devices, each within four “S” scrolls; vine age triangular 


motived ene 
7 feet io 5 feet 9 inches. 


57—CrIMson And YELLOW ALPuUJARRA CARPET 
Spanish Eighteenth Century 
Field displaying dull green banded lozenges filled with crim- 
son floral motives, alternating with rosetted yellow diamond 
devices. Stellate border with arched guards. Woven in 
crimson, deep blue and golden yellow. (Needs restoration. ) 


7 feet 3 inches by 5 feet 8 inches. 


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No. 55—Avususson ‘TAPESTRY 


(French Seventeenth Century) 


Evening Sale 


BRACKETS AND MIRRORS 


58—Two Carvep anp GitpeD Brackets 
Spanish Seventeenth Century 
Semicircular molded top; supported on double series of 
numerous finely-scrolled acanthus leaves. Original gilding. 
Height, 18 inches; width, 17 inches. 
From the sacristy of the Church of Las Angustias, Alcalé 
la Real, Spain. 


59—CasEMENT Lattice Hispano-Moresque Fifteenth Century 
Square molded pine lattice; studded at intersections with 
heavy iron bosses and displaying curiously notched stellate 
motives partly formed on each bar. 
Height, 18 inches; width, 1634 inches. 
From the Palace of the Alhambra, Granada. 
Note: This interesting lattice was acquired from a well-known 


Spanish painter who had the entrée at all times, for study, to the 
Palace of the Alhambra, Granada. 


60—Two Carvep AnD GILDED Mrrrors 
Spanish Louis XV. Period 
Scrolled cartouche shape; enriched with open leaf and ro- 
ceaille scrollings, developing a winged leaf pediment and an 
open cartouche at foot. Height, 3514 inches; width, 20% inches. 
From the collection of Espinosa de los Monteros, Alcalé la 


Real, Spain. 


61—Two Carvep anp Gitpep Mirrors 
Spanish Louts XVI Period 
Guilloched oblong, with round corners; enriched at crown — 
with basket of flowers and leaf-scrolled open wings, at foot 
with long supporting scrollings terminating in flowers. 
Height, 33 inches; width, 201% inches. 


62—PotycHromEe Mirror Italian Renaissance Style 


Red ground; developing, in natural mahogany, scrolled car- 
touches, dolphins, chimeric animals and birds. Finished on 
inner and outer edges with gilded moldings. 


Height, 3734 inches; length, 381% inches. 


Evening Sale 


SPANISH AND OTHER FURNITURE 


63—Two Carvep anp GinpepD TorcHEres 
Spanish Renaissance 
Leaf-garlanded circular top with turned bobéche; baluster 
stem enriched with two series of cherubs’ heads. Tripod 
base with open out-scrolling brackets and central leaf car- 
touches. 


Height, 5 feet 7 inches. 


From the Church at Ubeda (Jaen), Andalusia. 


64—ExBony CaBIneT AND STAND 

Spanish Seventeenth Century 
Oblong; with canted top supporting an oblong compartment 
with hinged cover; front with two enclosing doors and cen- 
ter enclosing cabinet enriched with paintings on copper dis- 
playing “Christ Arisen,” “The Virgin and Child” and “St. 
Catherine.” Ten drawers flank the central door; these 
have ivory panels engraved with scenes from the adventures 
of the illustrious “Don Quixote.” Stand with splayed 
twisted bulbous legs having balustered scrolled iron brack- 
ets to center of top; apparently of a later period. 


Height, 4 feet 3 inches; width, 2 feet 7%, inches. 


From the collection of Carvajal Martinez de Pinillos, Baeza 
(Jaen), Spain. 


65—Ivory Inzam Watnvut VarcuEeNo and STAND 
Hispano-Moresque Sixteenth Century 
Oblong, with hinged fall front and lifting top. Interior 
fitted with long top compartment, nine varied drawers and 
two flanking enclosed cabinets; trimmed with gilded forged 
iron scroll drop handles. Inlaid in ivory and boxwood with 
floral and geometric motives, the top and front with series 
of round and pointed arches sheltering vases of flowers. 
Carved stand with fluted legs and arcaded stretcher appar- 
ently of a later period. 
Height, 541%, inches; width, 3714 inches. 


From the collection of the Toledo family, Seville, Spain. 


Evening Sale 


66 


Ivory Intarp VarcuENo anp STAND 
Hispano-Moresque Sixteenth Century 
Oblong; enriched with pierced forged iron corners, side 
plates and bail lifting handles. Front fitted with four cen- 
tral drawers flanked by two enclosing doors, three further 
drawers at foot and at crown. These are all enriched with 
double twisted ivory columns. supporting niches and paneled 
with latticed oblongs of ivory. Traces of gilding exist. 
Stand with triple baluster end supports having~scrolled 
cross feet and arcaded central stretcher, apparently of a 
later period. 
Height, 4 feet 8 inches; width, 3 feet 11% inches. 


From the collection of the Marquis de Corvera, Murcia, 
Spain. 
(Illustrated) 


ae ae 


ARGUENO AND STAND 


NLAID V 


ory I 


No. 66—Iv 


Century ) 


-Moresque Sixteenth 


(Hispano 


Evening Sale 


67—-DecoratEeD EKrony Cazinet Spanish Seventeenth Century 
Oblong, with incurved top having a lifting cover to compart- 
ment; front with two paneled enclosing doors and long 
drawer under, on bulbous feet. The interior fitted with 
central columned niche composed of door with drawers at 
crown and foot, flanked by five drawers on each side; within © 
the central door are three small drawers. The interior of 
cover is enriched with paintings on metal displaying classic 
landscapes ; the interior of doors and the drawer fronts are 
similarly enriched, displaying scenes from the allegory of 
“Venus and Adonis” and “Apollo and Daphne”; the center 
drawer with a view of a Dutch mansion with an avenue of 
trees, the seigneur, his wife and daughter standing in fore- 
ground. Splayed stand apparently of a later date. Very 
reminiscent of Spain’s occupation of the Netherlands. 


Height, 5 feet 1 inch; width, 3 feet 1 inch. 
From the collection of the Marqus de Corvera, Murcia, 


Spain. 
(Illustrated) 


(hanjuay yzuaajuaaay ysiuvdg) 


LANIGAV() ANOD HY qaLvaoodqqd—LZ9 “ON 


Evening Sale 


68—Carvep Watnut TaBLe Spanish Sevent 
Broad oblong top in one piece; paneled f. 
two drawers; enriched with moldings, pate: 
Very unusual end supports, somewhat lyre- 
pierced open geometric stretchers and the 


Height, 2 feet 8 inches; length, 3 feet 10 ine 
2 feet 7 inches. 


From the famous collection of Rojas de Acev 
Spain. | ee 
(Illustrated ) 


(hanquag yyuaajuaaay ysvuvdg) 


ATAV T, LON TV A CAAUVY—B89 ‘ON 


Evening Sale 


69—CarvED AND GILDED CABINET | 

Spanish Early Eighteenth Century 
Rectangular, deep molded cornice, broken over pilasters, 
serpentined in center and crested with an open pediment of 
scrolls and rocaille. Front enclosed with two shaped doors, 
having scrolled rails and two glazed panels.  Pilasters, 
which are also repeated on ends, composed of flat baluster 
motives enriched with leaf capitals, shell devices and drops 
of leaves. Ends glazed with four scroll panels. Base, of 
similar contour to cornice, adorned with rosettes, leafage 
and molded feet. 


Height, 8 feet 5 inches; width, 3 feet 81% inches. 


From the collection of the well-known Toledo family, Seville, 
Spam. 


70O—Two Carvep anp GILDED SoLtomonic CoLuMNS 7 

Spanish Sixteenth Century 
Deeply, spirally twisted columns; enriched with twining 
vines bearing many clusters of fine grapes; toward crown a 
pheenix is perched enjoying the fruit; near the foot is a 
seated cherub bearing a cluster of grapes on his head. Fin- 
ished at crown with a quaint eight-scrolled Corinthian cap- 
ital. (Portions of carving missing. ) 


Height, 5 feet 101% inches. 


From an altar lately in the Cathedral of Murcia, Spain. 
These columns were replaced by others of modern 
origin mm 1856. 


(Illustrated ) 


No. 70—Two Carvep anp GILpED SoLtomonic CoLuMNS 


(Spanish Sixteenth Century ) 


Evening Sale 


PAINTINGS ON TILES 


JUAN ZULOAGA 


SPANISH: CONTEMPORARY 


VI—THE ERA OF THE DONKEY, 7 KO) < rae 
5 ON og (On sixteen faience tiles) 

Height, 24 inches; width, 24 inches 
SeverAL donkeys are grouped before a white-walled, tiled-roof 
cottage. An ancient peasant is examining the mouth of a white 
donkey in the foreground to ascertain its age. A muleteer is at 


left and a peasant family is seen at an open door at right. (Two 
tiles cracked. ) 


Signed at lower right, J van ZuLoaca. 


JUAN ZULOAGA 


SPANISH: CONTEMPORARY 


742—THE WALLS OF SEGOVIA ib. oy Br | 


(Painted in colors on ee! faience tiles) 


Ba tcee ers Height, 21 inches; length, 561 inches 


Berore the silhouetted walls of Segovia, a prelate peddler and a 
countryman in holiday attire are mounted on asses wending their 
way to the countryside. An animated group of rustics and a bull 
are about center. (Framed.) 

Signed, Juan ZULOAGA, SEGOVIA. 


(Illustrated) 


Evening Sale 


OIL PAINTINGS 


DUTCH SCHOOL 


SEVENTEENTH CENTURY 


73—FLOWERS (Two) Ty: %- Rie - 


— es Height, 121% inches; width, 8 inches 


if oe 


(a) A goblet filled with rare pink roses and sprays of white 
harebells. | 


(sz) A blue porcelain vase of peonies and varied mixed flowers. 


From the collection of Don José de Sotomayor y Ortega, Madrid. 


MARGHERTHA HAVERMANN 
DutrcH: 1720—1795 


74—FLOWERS (Two) \ yn: NA oer. 


S 1 ap Height, 18 inches ; width, 12384 inches 
Crimson pear-shaped pottery vases filled with variant bouquets 
of beautiful flowers, a butterfly hovering near a flower in each 


bouquet. 


M. BAMONTE 


SPANISH: SEVENTEENTH CENTURY 


75—STILL LIFE (T a ‘v, 
(ten) Vere ee OO. 0 
F Height, 16 inches; length, 2414 mches ~ 
re 
(a) Two dead birds are spread on a table amid onions and other 
vegetables before a tub of earthenware plates. 


(3) Apples, and a cut cheese are on a table before a milk churn 


and a herring tub. 


Evening Sale 


SCHOOL OF ARELLANO 
SPANISH: SEVENTEENTH CENTURY 
76—F LOWERS (Two) KY. rhea dh 
eet Height, 23°24 inches; width, 1714 imches i 


Guass bowls standing on a stone table filled with bouquets of 
tulips and other spring flowers. 


SPANISH SCHOOL 


EARLY SIXTEENTH CENTURY 
T7—LA VIRGEN DE LA LECHE 
(Arched panel) /\ 


Height, 1124 inches; width, alp harder 


Tue Holy Virgin, robed in crimson and green, is seen at a window 
under a canopy. She holds the Saviour to her breast. On the 
sill of the window some fruit is spread and a vase of lilies stands 
at left. 


From the collection of the Marquis Delgado de Villalonga, Palma 
de Mallorca, Spain. 


BOLIVIAN SCHOOL 


SEVENTEENTH CENTURY 


78—THE ADORATION OF THE MAGI b 2 
(On copper) | “VL ew 


o Ge 
J~- Height, 13 inches; width, 1114 inches 


Tuer Holy Virgin, seated and seen three-quarter-length at left. 
holds the Saviour on her knee; St. John the Baptist, nearby, 
is offering a basket of fruit to Our Lord. The Magi grouped 
at a table toward right, a lamb in the foreground. St. Anne 
and St. Elizabeth are behind the groups. The Holy Father in 
Majesty is in the clouds above. 


From the collection of Don Roberto Dupuy de Lome, lately Span- 
ish diplomatist to South America. 


Evening Sale 


SPANISH SCHOOL 


SEVENTEENTH CENTURY 


79—VENUS AND ADONIS (Two) 


norm Gap beend 


= / () ve Height, 22 inches; length, 28% inches 


(a) Venus, attired in pink robes, addresses Adonis, who wears a 
blue tunic and rich red mantle, with the admonition, “Be brave 
toward the timid, courage against the courageous is not safe.” 
Trees embower the group at right. 


(s) A wild boar in the foreground of uneven wooded country has 
just overcome Adonis, who is prone on the ground. Hounds and 
men are attacking the boar; at left, Venus shoots an arrow at 
the ferocious animal from her bow. 


From the collection of Ramirez de Arellano, Madrid. 


SPANISH SCHOOL 


Earty EIGHTEENTH Comzoha 


80—ARCHITECTURAL LANDSCAPES 
AND FIGURES (Two) 


Height, 22 inches; length, 32 inches 


(a) A cascade at left tumbles from high rocks to a ruined aque- 
duct, then to a rocky platform, finally winding round to the cen- 
ter, where two women draw water. At right is a military group 
before an extensive ruined palace. 


(s) An expansive columned and arcaded ruin stretches from 
right to a lake at left; a villa crested by trees and a hillside 
overlook the lake; several groups of figures animate the prospect. 


From the ancient Collection Sabatier, Seville, Spain. 


Evening Sale 


CORNELIUS DE HEEM 
Dutcu: Circa 1665 


SI—STILL LIFE: FRUIT \\ A ee 
Height, 29 inches; length, 38%4 sae aie 


Pracuszs, purple grapes, pears and a melon gleam with sunlight 
on the foreground of a dark, bosky dell. Several large clusters 
of white grapes hanging above are sparsely illuminated; at left 
and right, further fruit is perceptible in the shadow. 


From the collection of Ramirez de Arellano, Madrid. 


(Companion to the following) 


Ss * CORNELIUS DE HEEM 


Dutcu: Circa 1665 


82—STILL LIFE: FRUIT oF Gf 
AALS Cee 


y J % Height, 29 inches; length, 38°4 inches ey: 


Hues, opened pomegranates hold the place of honor in a compo- 
sition only slightly varying from the preceding. 


From the collection of Ramirez de Arellano, Madrid. 


(Companion to the preceding) 


Evening Sale 


SPANISH SCHOOL 


SEVENTEENTH CENTURY 


- 83—CUPIDS AND FLOWERS (Two) 
Height, 3834 inches; width, 2614 inches 


Two variously posed cupids are seen in each composition, sport- 
ing with sprays and wreaths of flowers. 


From the collection of Don José de Sotomayor y Ortega, Madrid. 
(Companions to the following) 


SPANISH SCHOOL 


SEVENTEENTH Cxsrean |S AH oe 


84-—CUPIDS AND FLOWERS (Two) 
Height, 38°4 inches; width, 2614 mches 


A sIMILAR composition to No. 85. 
From the collection of Don José de Sotomayor y Ortega, Madrid. 
(Companions to the preceding) 


HYACINTHE RIGAUD 
Frencu: 1659—17438 


85—PORTRAIT OF LOUIS XV of {3 
~/ INA GK 
/ Pee? Height, 31 inches; width, 24 inches 


Haur-Lencru, slightly turned to right, he wears a curling peruke 
to shoulders, steel corselet with a blue ribbon sash across the 
breast and an ermine-lined red coat bearing the order of S. Esprit. 
In carved and gilded Renaissance scroll frame. 


Evenng Sale 


M. (?) ARELLANO 


Sa: 
SPANISH: SEVENTEENTH Century 
a f 


86—FLOWERS | tr 


Height, 35 inches; width, 24°4 inches 
Aw ornate ivory vase stands on a stone pedestal and holds an 


immense bouquet of varied beautiful flowers, some trailing over 
to the pedestal. 


From the famous collection of Don José de Sotomayor y Ortega, 
Madrid. 


Evening Sale 


SPANISH SCHOOL 


SEVENTEENTH CENTURY 


87—AN ORNATE VASE OF FLOWERS). (s | Sis a 
Pas : (ij 
3°/¢ inches Siz | 


é TA ON ates Height, 43 inches; width, 2 


Ow a stone parapet are large apples and a central lest nated 
vase bearing an immense bouquet of beautiful varied flowers ; in 


deep rich colors. 
From the collection of the Toledo family, Seville, Spain. 


(Companion to the following) 


SPANISH SCHOOL 


SEVENTEENTH CENTURY y 


88—AN ORNATE VASE OF roe 
Beg de Height, 43 inches; width, 23%4 ieee 
SIMILAR in composition to No. 87. 


From the collection of the Toledo family, Seville, Spam. 
(Companion to the preceding) 


SPANISH SCHOOL 


EARLY SEVENTEENTH CENTURY 


89—STILL LIFE: FRUIT : | Q rb 
inh ie 


i Bey Height, 27 inches; length, 4 
2 


A wuHiTE gadrooned faience bowl, standing at right of a stone 
table, is occupied by peaches, apples and ripe red cherries; in the 
center is set a branch bearing diminutive ripe pears; at left, near 
peaches and cherries, are two large stems of artichokes. 


Evening Sale 


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MORN. Re 


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PERIOD OF RUBENS 


FLEeMIsH: SEVENTEENTH CENTURY 


90—INFANT BACCHANALS ee wat 
vA — ~~ ~~ 
(On panel) 


Height, 201% inches; length, 38 inches 


A crovur of animated cupids are at a table spread with fruit and 
wine; two others at left pour out a libation; at right, seated on 
a red pedestal, a further cupid plays a flute, and at his feet two 
others are seated on a blue velvet cushion. The floor is curiously 
strewn with single blossoms which an overcome cupid attempts to 


gather up. 


From the collection of Don José de Sotomayor y Ortega, Madrid. 


Evening Sale 


SPANISH SCHOOL 


SEVENTEENTH CENTURY 


91—WATER FETE, SEVILLE 


40 ios Height, 38 inches; length, 571% inches 


Two plebeian factions of the city in varied athletic costumes 
gather in close formation on either side of a small stream and 
meet in the center of a stepped bridge in a wild mélée. ‘The con- 
testants, as overcome, are pushed into the stream, causing much 
merriment. The stream is lined with tall houses, their windows 
sheltered by awnings and crowded with animated spectators of 
quality enjoying the curious spectacle. Many persons have 
mounted to the roofs to see the sport. In carved and gilded leaf- 
scrolled frame of the period. 


From the collection of the Toledo family, Seville, Spain. 


JACOPA DE PONTE BASSANO 
Irauian: 1510—1592 


92—ORPHEUS CHARMING THE BEASTS 
OF THE FIELD 


Height, 3514 inches; length, 48 inches 


Tue famous musician of the gods stands at left of an arbored 
grove of trees playing a viol; the varied animals of the field and 
chase, with many groups of birds, press forward to listen to the 
dulcet tones. A vista of the sun setting over darkening moun- 
tains is seen about center. 


pes 
\ 


From the collection of Rojas de Aceves, Seville. 


Evening Sale 


: SCHOOL OF SEVILLE—~ 


EarLy SEVENTEENTH Cenrihty, 
93—CHRIST DISPUTING WITH THE DOCTORS 


IN THE TEMPLE 
(On panel) 


Height, 211% inches; length, 28%4 inches 


Tue youthful Saviour stands before a group of seated school- 
mates, propounding the law to the aged doctors sitting on the 
other three sides of the room, their president seated on an elevated 
stall opposite Our Lord. Rich with the color of the varied drap- 
erles. In ancient carved and gilded frame. 


From the Collection Carvajal Martinez de Pinillos, Baeza (Jaen), 
Spain. 


MEXICAN SCHOOL 


Late SIXTEENTH CENTURY 


94—THE ASCENSION OF THE VIRGIN Be 
(On panel) 
Height, 35°4 inches; width, 25 inches 


Tue Holy Virgin ascends, standing on a crescent and a cherub’s 
head supported on the back of an eagle perched on a cactus 
shrub. The Holy Father and Son in Majesty are above, at right 
and left St. Joseph and St. Anne amid flowers and birds; at the 
four corners are oblong panels depicting further incidents in the 
life of the Virgin. The features of the figures and the portions 
of robes of illuminated inlaid mother-of-pearl are carefully 
painted; the background of deep ivory. Contemporary frame, 
with flower scrollings and birds executed in illuminated mother- 
of-pearl, curiously showing Chinese influence. 


From the collection of Don Roberto Dupuy de Lome, lately Span- 
ish diplomatist to Central and Southern Americas. 


\ 


ee BF hy We 


~ 


Evening Sale 


QUENTIN MATSYS 
Friemiso: 1466—1530 


95—THE MISERS [ae 
Height, 321 inches; width, 2814, inches 


In a linen-paneled oak secret sanctum two misers are seated at 
their account book, one making entries and counting gold and 
silver coin; the other, with arm over shoulder of his confrére, 
watches attentively the transaction. The writer wears a blue robe, 
fur-trimmed at throat, ruffled with red at wrist, and huge, fuzzy 
red headgear falling on his shoulders ; the other wears a green tur- 
ban-like head-covering and lavender coat. Both men have coarse 
strong features indicative of their miserable occupation. On a 
shelf above them are various parchments and a round box of 


deeds. 


Note: This characteristic painting is a very nearly related variant of the 
famous work, No. 616A by Matsys in the Pinacoteca at Bologna. 


Inscribed on back of canvas: “Restaurado y forrado por Siguenza 1844.” 


From the celebrated collection of the well-known Spanish con- 
notsseur, Don José de Sotomayor y Ortega of Madrid. 


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Evening Sale 


SEBASTIAN DEL PIOMBO 
IraLian: 1485—1547 


(On panel) 
Height, 11144 mches; width, 84% imches 


96-—CHRIST CARRYING THE ae 


Over Lord, seen at half length; wearing a white robe and a crown 
of thorns, supports a heavy cross; He is weary with the exer- 
tion, but the deeper thoughts for the sins of the world BR: 
press more heavily on His imagination. 4 


From the collection of Ortunio y Acuna, Burgos. Inherited in 
1768 by Dotta Ana Maria de Acuna from her OTOL 
Prebendary of Burgos Cathedral. 


ADRIAN ISENBRANDT 
FiLemisH: Circa mee 


97—THE CRUCIFIXION (Triptych) 0 , 
(On panels) atk | 


Height, 18 inches; width, closed, 11 mches 


Tue center leaf discloses the body of Our Lord nude save a loin- 
cloth, and crowned with thorns, hanging on a cross set before a 
varied mountainous Italian landscape. The Virgin, in green robes, 
and St. John, in crimson and green, stand at either side of the 
cross. Left leaf: The Virgin holding the Infant Saviour on her 
knee, St. Elizabeth behind contemplating the group. Right leaf: 
St. Joseph prepared, with staff and cloak, for the “Flight into 
Egypt.” Simple, gilded molded case with traces of polychrome 
inscriptions on black. 


From the collection of Don Antonio Maria de Leone, collateral 
descendant of the Famous Priest of the same name, Badajoz, 
Spam. 

(Illustrated) 


| 
i 


Evening Sale 


FLEMISH SCHOOL 


SIXTEENTH CENTURY | 


98—THE FLIGHT INTO EGYPT y. 
7 (On panel) 


Height, 2144 inches; length, 34 inches 


Tue comely Virgin, in dark blue and crimson robes and white 
mantle, sits in the foreground of a quaintly romantic landscape, 
feeding the Infant Saviour; St. Joseph, in pink robes, kneels at 
left offermg a gourd of water. Behind the Virgin an ass is 
tethered under a date palm whose branches two angels in flowing 
robes are endeavoring to bring near to earth so that the fruit 
may be gathered for the sacred company. 


From the collection of Don José de Sotomayor y Ortega, Madrid. 
Llombart, Barcelona, Spain. | 


4 


tage 


sar 


Evening Sale 


JAIME II VERGOS OF THE CATALONIAN SCHOOL 


SPANISH: Cree as sae 7 fe a 
99—CHRIST IN THE GARDEN OF GETHSEMANE~ 


(On panel) 
Height, 48 inches; width, 33Y inches 


In a rocky garden, overlooking the ae of Jerusalem, ‘distant 
green mountains and a setting sun, Our Lord kneels in agony of 
spirit, His eyes cast on an angel hovering above within a halo and 
bearing a “Symbolic Cross” and the “Cup of Bitterness.” In the 
foreground the three faithful disciples of Our Lord are ses 
Rich in gold and full of color. ay Mae 


From the collection of the well-known connoisseur, Don Tieaeaa 
Llombart, Barcelona, Spain. 


Evening Sale 


SPANISH GOTHIC SCHOOL 


Late FIrreEENtH CENTURY 


100—“CHRIST ARISEN” AND “ST. DOMINIC” 
| ( Altarpiece) 
(On panels) 


Height, 1714 inches; lengthN77 wches 


Five panels within graceful traceried canopied niches supported 


on slender, crocketed Gothic pinnacles. ‘The center presenting 
Our Lord arisen from the tomb with an angel at either side, each 
holding a symbol of the Passion. At left, St. Cecilia before her 
Roman judge; architectural background. Outer left panel, St. 
Faith kneeling, partially enveloped by flames. At right, the 
angel visiting St. Dominic, the scene transpiring before an archi- 
tectural background. Outer right panel, “The Adoration of the 
Magi,” the Virgin seated before a white-robed angel near the 
foreground of a landscape, the adoring Magi at left and right. 


From an altar in the Church of St. Domingo, Alcala la Real, 
near the Castle La Mota, Spain. 


neat ESHA RE NEE BCR RNS RY ed ah MAROON 


Si ma 


acti ssi 


i ARI A i tO as! 


Evening Sale 


JAIME II VERGOS OF THE CATALONIAN SCHOOL 


Spanish: Worxkep circa 1453 


101—“LA ORACION DEL HUERTO” 
Height, 59 inches; wid 4 inches 


PaneEv with a gilded Gothic traceried niche enriched with fine leaf 
crockets; supported by slender crocketed pinnacles. On paneled 
plinth with ogival tracery. Our Lord kneels in a rocky formal 
garden, a white-robed angel appears bearing a “Cross” and the ~ 
“Cup of Bitterness.” Beyond a small hedgerow at left, eight 


disciples sleep before a rocky bank. In the distance, Judas stands — e. 


at a wicket gate of a paled fence guiding the advancing multitude 


of Roman soldiery, who are seen before the quaintly drawn, distant: i a 


city of Jerusalem. Our Lord is habited in blue robes finely illumi- 
nated with gold floral embroidery; the haloed disciples and the 
troops are in brilliant rose-crimson, red, blue and green vest- 
ments. 


From a church in Tarragona, Spain. 


Evening Sale 


The Following Series of Sanctuary Panels, Doors and Gothic 
Canopies are of great importance, rivaling in devotional and 
decorative quality that remarkable Altarpiece bequeathed to the 
Metropolitan Museum by the late Mr. Laffan. These primitives 
by Borrassd (1890-1434), rich in flaming colors and gilded back- 
grounds, formed a magnificent setting for an altar in the Church 
of San Martin at Segovia. ‘The costumes are of special dis- 
tinction and the panels are in rare original condition. During 
the eighteenth century these paintings were removed from situ 
and abandoned behind the organ of the church, languishing there 
till 1886, when they were acquired by the well-known collector, 
the Marquis Delgado de Villalonga. 


LUIS (?) BORRASSA 


Spanish (Cararontan): 18901484 9 ae 


102—THE ANNUNCIATION e,, y a 
(On panel) . “si 
Height, 40 inches; width, 3914 inches a 


PaneELED with gilded Gothic tracery at sides only. The Holy 
Virgin kneels at right on a tesselated floor before a draped table, 
reading from an open missal; the announcing angel is at left 
carrying a scepter bearing a scrolled label inscribed “Ave Maria 
grazia.” A Gothic chest, on which is a vase of lilies, stands before : 
the rear wall. The Holy Father in Majesty is observed at one of 
the round-headed windows above the chest. directing the spiritual _ 
Dove toward the Virgin. In an arched alcove behind the Virgin 
is a canopied bedchamber. 


(Companion to the following) 


: ris eee ’ Pte red - 


Evening Sale 


LUIS (?) BORRASSA 


Spanish (Catatonran): 1390—1 434 


103—THE BIRTH OF CHRIST 
(On panel) 


Height, 40 inches; widths, 39, inches 


Tue Virgin, in embroidered robes, is kneeling Rete ae child 
Christ, St. Joseph at her right holding a lighted candle; St. 
Anne also kneels nearby; behind St. Anne is a hilly country - 
with two shepherds dazzled at the phenomenon, an angel in the — = 
quaintly towered and turreted city of Jerusalem. Behind the ‘e. 
Virgin, at left, is an open lean-to stable & ogee wee an Ox and — 
an ass. .) 


(Companion to the preceding and the following) , 


Evening Sale 


LUIS (2) BORRASSA 


i >a? 


(On. panel) — . BS ; 
Height, 40 inches; width, 39 in 


A stmrLar setting to the previous panel with the 
throwing its radiance on the Virgin at left; she he 
on her knee; St. Joseph is seated nearby ; the thre 
jeweled golden cups of frankincense and myrrh, are 
right. ine err 
(Companion to the preceding and fo 


ied 


Evening Sale 


% 


LUIS (?) BORRASSA 


SpanisH (Caratonran): 1390 


‘ se 
ABTS: 
ew ae. 


Smee he 


THe Winged Saint stands on a tesselated pa’ 
parapet overlooking the country; he has one f 
figure of “Sin” ready to dispatch with his u 
enemy of the world; he wears a black cloak y 
crimson velvet and gold and silver armor. cs é 


From the collection of the M arquis Delgado de Villalone 


(Companion to the preceding and following 


Evening Sale 


= A 
LS a - 
~~ ae 

a * ‘ 


LUIS (2?) BORRASSA 
SpanisH (CaraLonian): 1390—1434 


106—TRIPTY CH Y 
(On panel) 


Height, 321% inches; length, 57 inches 


THREE panels, divided by slender carved and gilded Gothic pin- — Ss 


nacles and finished on sides only with chevroned moldings. Center: 
“Christ Arisen”; Our Lord, nude, save for a loin-cloth, stands in 
His tomb before the cross; the Magdalene kisses his right hand 
and St. John is at right. In the background many symbols of 
the Passion are observed. At left: St. Anthony and St. Mary 
Magdalene; three-quarter-length figures in rich red robes, stand- 
ing before a wall; wooded hills in the distance. Figures captioned 


at foot. At right: “St. Fabian and St. Sebastian”; St. Fabian, Ca 


in rich red robes and mitred as a bishop, carries a veil tied to 


cross. Similar background to the preceding. The figures also 


captioned at foot. 
From the collection of the Marquis Delgado de Villalonga. 


(Companion to the preceding and following) 


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Evening Sale 


LL 


LUIS (?) BORRASSA aa 
SpanisH (CatTatonian): 1390—1454 

107—TWO SANCTUARY DOORS: 
ST. PETER AND ST. JOHN 
(On panels) 
Heights, 6 feet 1 inch; widths, 2 feet 6 inches 
Carvep and gilded paneled round niches surmounted by traceried 
arcades and central Gothic finials; finished at sides with, slender 
Gothic pinnacles. The niches occupied by standing figures of 
saints. St. Peter, in crimson robe and papal tiara, carries two 
huge keys and a missal; St. John in ermine-trimmed black habit. 


Gilded backgrounds. One door retains the original shaped iron 
lock plate, hasp and bolting bar. 


From the collection of the Marquis Delgado de Villalonga. 


(Companions to the preceding) 


Evening Sale 


108—TureEe Carved anp GiLpED CANOPIES Spanish Gothr 
Composed of three delicately traceried arches with scroll 
pinnacled cresting. The front arch straight, the sides set 
at a retreating angle. (Many portions missing.) 


Heights, 11 inches; lengths of two, 30 inches; one, 32 inches. | 


From the collection of the Marquis Delgado de Villalonga. — 


Note: Originally used in combination with the paintings Nos, 102 to 107, 
inclusive. 


MELCHIOR D’HONDECOETER 


Dutcu: 1636—1695 
109—PEACOCK AND FOWL AKA 
Height, 48°4 inches; length, 671 ‘inches 


A FLOWER-DECKED foreshore of a lake is occupied toward right by 
a magnificently plumaged peacock amid a group of roosters, fowl, 
a turkey and two rabbits; a fruiting orange-tree is at left; across 
the lake, before snow-clad hills, a swan is attacking a heron. 


From the famous collection of Don José de Sotomayor y Ortega 
of Madrid. 


AMERICAN ART ASSOCI ATION, 
MANAGERS. 
THOMAS E. KIRBY, 


AUCTIONEER. 


INTELLIGENT APPRAISALS 
FOR 
UNITED STATES AND STATE TAX 


INSURANCE AND OTHER PURPOSES 


THE AMERICAN ART ASSOCIATION 


IS EXCEPTIONALLY WELL EQUIPPED 
TO FURNISH 


APPRAISEMENTS AND INVENTORIES 


OF 


ART PROPERTY, BOOKS, MANUSCRIPTS, JEWELS 
AND PERSONAL EFFECTS OF 
EVERY DESCRIPTION 


AT CHARGES COMMENSURATE 
WITH THE DUTIES INVOLVED 


THE AMERICAN ART ASSOCIATION 
MADISON SQUARE SOUTH 


NEW YORK 
TELEPHONE, 3346 GRAMERCY 


, PRESSWORK 


i 


AND BINDING BY 


SITION 


~SENOR LAUREA 
SPANISH COLL 


TO BE SOLD AT UNRESTRICTED PUBLIC SA 
AT THE AMERICAN ART GALLER 


NEW YORK 


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